Google analytics always show that one of the search terms that my site falls under is CIA fiction cold war. However, I rarely read books about the CIA, as I think the European spies are better. European spies, are grubbier, more inventive, more morally ambiguous where the American cold war fiction books are more military. For instance, Jack Ryan, the books are great, but he isn’t a spy, rather he is an analyst who gets caught up in military fights. It’s a sense of identifying with the characters and I struggle with some CIA books. It is like Nina Simone – I love her voice, her songs, the rawness but I don’t like the song Young, Gifted and Black. Not because I’m racist, far from it, but rather I’m not young nor black and that songs audience isn’t a middle-aged guy writing a blog about cold war books as he drinks some Château de Cardboard.
So I tried to put my prejudice against American CIA books aside as I read The Company, however from the start I had trouble identifying with the three main characters as they were a bunch of Yale rowers, getting involved in the Great Game, and they knew that they were fighting the good fight on their side and this rubbed me up the wrong way. I like my characters to have a bit of class war in them as I detest when it’s the gentlemen spies from Oxbridge or they are doing it for God, Queen and Country. On a side note, I though the Matt Damon film The Good Shepherd was absolute rubbish and this book had the same air as the film.
This book then follows the divergent paths this troika follow and charts the successes and failures of the three principal characters and the CIA in Hungary, Cuba, Soviet invaded Afghanistan and Russia under Gorbachev. The book mixes real events with real characters and in the end you don’t care what happens rather you begin to set yourself the mental goal of finishing this book. This isn’t a reflection of the books length, for instance I would say Leon Uris’ Armageddon has far more words and it makes you think, where The Company just made you groan.
Overall:
According to the book, who would win the cold war: The novel doesn’t allow you to make a guess as it tries to follow the real time-line.
Explosives/fight scenes etc.. : Hungary rebels, Cuba gets invaded, Russia has a revolution, Afghan kidnapping and escape, some fake East German police shooting, trawler blows up, pope gets knocked off and Yeltsin explains how he lost his fingers.
Believability of the goodies (CIA):
John J. McAuliffe, was the central character of the Yale rowing troika. He was supposed to represent the fighting Irish immigrants, he had the red hair with red moustache and the lothario personality to match, and was the American taking the Soviets on in East Berlin and landing with the Cuban exiles in the Bay of Pigs. He was a man who knew God was on his side, and whatever actions he takes are justified as he is fighting for the right side. He had everything going for him, yet he just didn’t come alive, maybe the author had too many central characters and their effectiveness was diluted?
Elliott Winstrom Ebbitt II. a.k.a. Ebby was a good character, however what made him unbelievable was the massive change in personality in the book. This was a man who fought against the Nazis for the OSS, came back to civilian life, missed the excitement and the sense of patriotism or purpose and decide to join the CIA. However, he gets captured by a Russian trawler captain and when he goes to Hungary you sense that he doesn’t know what he is doing or how he should act. As an OSS veteran you would expect a certain type of personality and the intelligence to to do things, where as the book progressed he became more and more an apparatchik making his back-story questionable.
Harvey Torriti a.k.a the Sorcerer was the most interesting character in the book. He was the hard-drinking anti-political correctness Man in Berlin. He had the rawness, the peasant cunning and the thirst to take on the Russians and win. He knew the rules of the Game and was probably the most fleshed out character, not just in girth, in the book, however sadly he seemed to be a bit of a sideshow to the shallow boring Company men. I would hope Littell brings out books on Torriti, however they might have a problem conveying any fear for the reader on the survival rate of the hero as in this book he ends up fat and constantly drunk in a nursing home.
I’m not too keen to talk about James Jesus Angleton, Kim Philby and the rest of the historical characters who appeared in this book as the book wasn’t really about them unlike Shadow of Shadows where George Blake was a central character. However I will quickly say that Angleton, if he was a smart as he was, he ruined it by having such poor presentation skills. If you are going to destroy the careers of serving officers and put the CIA into civil war, at least be able to explain your decisions, allow substantive investigations and be open and transparent when you convict someone. How can you be open and transparent in a secret service? You need to be with personnel issues, else you will create a cancer that will destroy your organisation. After all there are more 9-5 bureaucrats compared to those out sneaking Soviet scientists out. Do you think he felt such a fool when his alleged best friend Philby was a mole and you wonder how many secrets Angleton inadvertently passed over?
Also, the author of the last book I reviewed Mongoose R.I.P William F. Buckley Jr had a mention which was nice.
Believability of the baddies (KGB):
Yegeny Alexandrovich Tsipin: He was the Soviet member of the troika. He had the most interesting job as he was a deep cover Soviet spy in the USA, however the book wasn’t named the KGB rather The Company so out of the three of the original trio, he featured the least and in compensation he was given a small starring role during the Soviet coup in 1991. Typical lovers story where he falls in love with a Russian woman, but he finds out that she is Jewish, therefore not allowed to KGB serving officers, and worse than that she investigates Stalin’s crimes and dismisses the argument that Stalin was a mistake, rather she believes communism is a crime. Yegeny has to choose between serving his country and her, so he picks his country and she fades out, but like all soap opera-ish fiction, Yegeny stills carries a torch for her and they meet under the more outwardly enlightened regime of Gorbachev and to this readers astonishment, they both still love each other. Also, the revelation that Yegeny was an unofficial spotter, who spotted Leo just didn’t fit with the rest of the story.
Leo Kritzky: Leo was one of the original troika, and all along was a Soviet agent. Like the other characters there was a wooden-ish to his character and his unmasking as traitor wasn’t too much of a surprise. It was a lack of surprise as in fiction whenever three people are involved two are on different sides and one is a traitor. What was well written, was how he became a spy, how he met his wife and his interrogation by Angelton. Leo justifies his conversion to communism with all the usual idealism about the brotherhood of man, and then when he defects to Soviet Russia he finds the barbaric-ness of the system and how the leaders have betrayed communism and that communist salvation and his own, can be found through the armed support of Yeltin during the Coup of 1991. I know the author tries to follow historical precedent where the mole in the CIA starts with K, names ends with ski, but this is a work of fiction, you do have a licence to be inventive. Why does the mole always have to the emigrant from the East, and whose father failed under the capitalist system and killed himself. Why not make the mole like Robert Hanssen (who is mentioned in the book) without the sexual deviancy, a god fearing Christian. Yes, Hanssen has some Polish in him, but my point still remains valid.
Starik, the old man and puppet master. Either Stalin or Beria or one of the gang used to be a paedophile, but why make this character one? Does it add anything to the story? No! Why can’t the main adversary just have normal tastes? Seriously I could easily run the KGB and order my operatives to kill the Pope without my down time needing to filled by my “nieces”. This American trait to constantly de-humanise the bad guys always annoys me. For instance, I love the old black and white movies which were made during and just after the second world war. There was always a clear distinction between the UK and the USA produced films. The American ones always had the Nazis portrayed as evil to the core, raping nuns and killing babies, where the British films showed the enemy as Germans with the odd Nazi, with his black-hearted ways in charge. Evil is more convincing when it’s somebody like Himmler, a small normal looking man, who kills millions and set the world alight with a stroke of a pen, rather than a paedophile who climbs to the top. Maybe it is because to be a leader within a bad guy cabal, for lack of a better description, you must be socially accepted by your peers and share similar personality traits, didn’t Hitler remove Roehm, the brown shirt leader, to primarily consolidate his grip on the party, but also because his homosexuality and the rest of the leaders of the S.A. was alien to him and the goals of the Third Reich?
Starik, had a master plan codenamed Kholstomer, which was to bring about the capitalist destruction of the USA by destroying the dollar in the currency markets. This was plan which was featured in the very first pages of the book, and necessitated the killing of the Pope and so this is a central plot. This plan was warned by Angelton and Starik was planning for this for decades, First Secretarys of the Communist Party were frightened of implementing it, yet the author choose to wrap it it up in a page or so and all behind the scenes – all this build up for a lame fizz. Also, the other thing that annoyed me about the Kholstomer plot was that Starik hired a top assassin to carry out the killing of the Pope, and once he does the deed Starik easily kills him. Why not give the assassin some sense of professionalism, and give him an insurance like how some of the characters who supplied the matériel in The Day of the Jackal were untouchable by the sniper.
I’m one of these people that never liked Alice in Wonderland, I have no intention of ever seeing the new movie, and yet it must be the most referenced book in fiction. This is the book that Starik choose to read to his pre-pubescent harem every night for a minimum of 40 years and I’m just wondering whether cardboard characters in a spy novel would be bored of the same book.
As I was reading this novel I thought it’s written like a TV movie or one of those TV series/special events starring Robert Mitchum and then I discovered it is a TV mini-series starring a failed Robin, the man who is starring in the worst spin-off of all time – Chris O’Donnell, yet admittedly he played well a woman in Two and a half men, and I wasn’t surprised. There is a blandness and a softness to these TV series and this book conveys the same tones.
The book never evoked any feeling in the reader. For instance the book is set during the Hungarian uprising and the Invasion of the Bay of Pigs and Littell doesn’t make the reader care. Any other author would make you feel the tension of the uprising, the rumblings of the Soviet tanks along the cobblestones, the fear and confusion as one of the main characters is trapped in a barracks surrounded by the Soviet oppressors, even throw in a bit of propaganda where it makes it clear to the reader that the West is fighting a good fight and the communists are evil, or alternatively make you feel disgusted that the West egged on the Hungarians, the Cubans and the Iraqis at the end of Gulf War One and then didn’t follow through and left them be massacred by their oppressors.
Littell also went Tom Clancy post 2000, where he makes the main characters for awhile the sons of the main protagonists, and like The Teeth of The Tiger, you think why are you wasting my time with these clearly inferior characters, let’s just focus on the main ones and give them a natural conclusion. This part of the book, (book written in 2002) allows the author to warn about bin Laden and the backfiring of giving stingers and support to the Afghans and mujahideen, and it comes across as the authors smugness and maybe to show that the book has relevance to today. Yet it feels out of sync with the characters and the mood of the times that helping them to beat the Soviets was the right thing to do.
In summary, it could have been so much better, all the ingredients were there, it had a good enough plot, it had some fantastic backdrops, it appeared well researched and then it just didn’t come together which was such a pity.







One very last point, as I was getting the picture for the book from the amazon store I read how many people think this is a massive book at 900 pages. 900 pages isn’t a lot and the font is big enough and in my opinion it is just stupid to judge a book on it’s length rather than its enjoyment. Come on people you don’t get a badge of honour or need a health warning for reading a book longer than 300 pages and length doesn’t justify calling a book epic.